🖐 Mackie - Onyx Blackjack - Owner's Manual (Español)

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Unboxing Mackie Onyx BLACKJACK (Interface de Áudio)

Gear Recommendation Thread. It's among the very best. Sorry, i have to go with what i've seen and you have to go with your experiences. I've seen some Mackie monitors in a few semi-pro studios. FUD or truth? Dude, what i was trying to say is that when trying to evaluate a whole brand, we are individuals and are only experiencing a small sliver of reality. I can't get enough clean gain on my Blackjack to use my SM for voice work. I mean they are ok but there is lots of better stuff out there. My bad!

Posts should be made to inform or facilitate discussion. Avoid it. If you only need a single input i would highly suggest the Audient iD4. It's pretty hard not to record with the Blackjack in the red. At least I never read specs on something and expect to know how it sounds.

If you're producing a movie soundtrack for the big screen, not so much. I think i've had all the problems with mackie and yet have used it successfully for years. Saying that Mackie "isn't exactly the mackie onyx blackjack espanol dependable of all brands" is hogwash.

Only if I shout with gain on full mackie onyx blackjack espanol I get the red clipping light to come on.

At the gain required to make an SM57 and probably many other not-very-sensitive dynamic mics record properly, the Onyx Blackjack is far too noisy. This is with a line level pink noise source connected for reference.

I have the Mackie Blackbird and its preamps are really good. Everyone went gaga over them. Https://24tinder.ru/blackjack/mohegan-tribe-flag.html most people mackie onyx blackjack espanol to suggest the Scarlett Focusrite 2i2 or Solobut on paper the Mackie Onyx Blackjack looks better in every way that matters: Lower Noise at min gain — The only "drawback" also ends up being moot: the Mackie can only record at up to 48 kHz while the Focusrite goes up to 96 KHz 1st Gen or kHz 2nd Gen.

I was thinking just about pres but mackie makes some great monitors. Do not post pictures of text here, they will be removed.

About the driver thing: on windows, you will use ASIO drivers anyway, and if you use it inside windows over WDM usb2 interfaces will work just as well. I avoid searching for magic and stick to working hard to get what I need. I'm thinking of trying a Cloudlifter or DBX s to see if that helps. When it came to my work, I'd never use them.

I think they're the same ones as in the Blackjack as well. Are they good?? Now the Mackie does feature a Cirrus Logic ADC which samples the signal at a frequency of several MHz to give headroom to the anti-aliasing filter and then downsamples digitally to the desired sample rate of A lot of complaints about the Mackie suggest poor Windows drivers, but those are supposedly fixed in the latest version.

The Mackie and X32 Mackie onyx blackjack espanol have a similar noise profile, which is about 10db more noise than the M32, which shouldn't be a surprise since those are the same preamps as the Midas Pro series consoles.

But we do it for the "magic" haha. Different link for different jobs.

The preamps typically flash red db before they actually clip, they're an early warning designed by engineers used to using analog gear that wants to go red. If someone wants to waste incredible amounts of money on preamps with horrible specs aka "magic" feel free to do so. It's impossible to tell from the specifications, as those list only the min gain noise figures.

I've seen many fashions come and go. And has tendency to reinvent the wheel at times, causing real headaches in the field by using a bit weird configurations but haven't had any catastrophes either. Yes but it comes with a "but". Seconding this.

Actually the Amazon reviews that say it's difficult to get the preamps to clip red are pretty suspect to me. I've also tested the Blackjack with much less demanding mics like the Rode NT1, which is a condenser.

However I my gain seems underpowered. If something is noisy and bad, then it's noisy and bad. But they've always been part of an array of monitors rather than the main monitors. You can plug in a pair of headphones to its output and drive them to distortion before you get any noise. That all being said specifications given by manufacturers should be taken with a grain of salt.

So it depends a lot on what gear individual has used to get two totally opposite opinions on their quality and worth. IMHO, they do cut corners a bit too much all over the place and there has been way, way too many turkeys in the lineup over the years And then https://24tinder.ru/blackjack/blackjack-sls-solo-6.html there are really, really good units there too that are rugged and dependable workhorses.

Preferences and anecdotal experiences do not match.

Magic my ass. Similarly, office pics are generally considered low-effort fluff, image posts should have some point other than karma and promote discussion. Mackie Onyx Blackjack much noisier than the specs suggest? The difference is, I've been doing this for thirty years. Obviously there are a million ways to do things, but to my ears I love some pres with transformer warmth, pushing a pre to distortion, and some pres because they are transparent. Less gain is required, so less noise is heard on the recordings. Also, i've heard this "user error" also coming from Mackie fanboys, meaning that there really is and always has been some things they do that no one else uses, like dip switching the entire aux section to be group inserts yeah wut? So you would pick a certain mic with different characteristics for different jobs but not a pre that does the same? I have 25 years experience recording in private and commercial studios, In my own studio I own a Telefunken Elam and a seventh circle N72 pre which is my primary signal chain for recording solo vocals that matter. Is this true? I've also done service on audio gear for thirty years. Can't say that it would be my choice in the long run, it isn't exactly the most dependable of all brands. Specs don't really say much about how something sounds. Hey man whatever works for you! Under the new team, things have changed but not that much. Tech Support Thread. Sounds like you've been listening to the salespeople at the Big Box store who would rather sell something that gets them a bigger margin. That thing is a monster. Today, there isn't one clear winner. I don't know if Mackie are well respected for their preamps. That's how I got into studios. This is very common thing we do, me too about our favorite gear, we make excuses, have invented workarounds and fail to see that first time user CAN be industry veteran honestly, this is so common phenomenon that in software side, it actually prevents good critical feedback ever receiving devs, new users need to go thru an ordeal of workaround and tweaks presented with the word "just" in front until they receive their initiation.. Just look how much we spend on a vintage or ! I've still never seen a mackie pre in any studio and I've never heard anyone talk about respecting a mackie pre. For home recording, it's usable. Very quiet. We engineers are stupid crazy when it comes to mic pres. They are good pres for consumers but you'll never see Mackie anything in a real studio. I can get great results from most cheap gear too. It's rare to have issues with Mackie gear made under Greg himself. I can totally agree that the is not the right pre for every job, but it's a tool like any other, sometimes it's the perfect tool for a job and sometimes you want a super transparent pre. I don't object Mackie, it just is not one of my favorites, mostly due to just "feel" of all faders, pots, connectors, it's little quirks and on consoles, i really have never got the EQ working the way i want to.. Back in the day the Hardy was a huge improvement over many preamps of its day. They added too much distortion. How Did They Do That? You also have to know you are in a very small minority that would never use one. Is there any truth to these? Including service for Mackie. Like I said before you can use whatever works for you! I am using Shure Beta 87a also needs db. Mackie has not failed me, at least not spectacularly yet but is there huge confidence? Mics go straight to the Blackjack, and there's plenty of gain in that scenario to get the preamps to hit red. I used to work in a room with a half dozen s. You're totally right! I avoid fashion and get results that are far superior to my cohorts who have to have "that preamp" or "that mixer".